When people talk about the technical side of photography, it is easy to get lost in all the math and science while forgetting some of the more basic parts. One of these is the effective usage of angles.
Take the two photos below. The first does show a nice flowering plant, the details are all there but so is something a little less pleasant. Check out the dirty black trash bag in the corner. the seconds is of the same plant at a slightly different angle with similar coloration and clarity but no ugly distraction. The third and fourth photos show something similar too.
So the point is, when you’re working on your exposure meter setting, adjusting aperture and shutter speed, selecting the appropriate ISO… don’t forget to use a nice and effective choice of angles.
Form time to time, most of us photography enthusiasts mess up a shot with high or low exposure. Our first instinct might be “oh, crap!” but once you step away from the moment for a bit, you could realize that a tiny bit of “incorrect” exposure isn’t always a bad thing.
See the charts below. They show a fairly significant swing in a typical meter. But, let’s suppose your shots hit less that 1 on either side, or even just the first dot. You have two options:
- Easily adjust in basically any editing program.
- Go with it because it might just produce a cool shot.
The photo on the right-hand side is one I took at Station Square in Pittsburgh but I used editing software to make the other two so as to give examples of extremely over and under exposed shots.
Here are a few shots people just went with or even did on purpose:
Disclaimer: This post is not intended to offend it was just a catchy title bases on a slogan from Trix cereal that was part of many of childhoods.
Now with that said…
One thing that always dumbfounds me is when people make things harder than they have to be. We see this in all walks of life and across ages and cultures. As a person who works with portrait and model photography, I’ve noticed this when is comes to outside shooting sessions.
I have noticed fellow shooters lugging around all sort of contraptions from soft boxes to reflectors and everything in between for a shoot in the local park, at a pool or whatever setting it may be. The problem it, it’s not necessary and in some cases might even be a negative.
Simply put, NOTHING, and I mean nothing, beats working with natural light, especially during the “golden hour” period. It gives off a glow that just can’t be replicated with strobe units and reflecting devices. Basically, because it looks -natural.
No disrespect to people who do use studio fixtures outdoors. This is my opinion and this is art. Far be it for me to ever say anyone’s art is “wrong” in any way. Do what you do and if you are satisfied, fine.
But I have run into several shooters who instantly get defensive or cop an attitude about it. Some would state that people only prefer natural light because they don’t know what they are doing with studio gear. My response would be that perhaps those who want studio fixtures in outdoor shots don’t know how to use natural light. In fact, I would suggest that it’s harder to work with what is available rather than having something at your hands to manipulate things.
If you shoot natural light (whether or not you do studio work too) and would like to join a group that uses this method, check out Natural Light Photographers International.
There is a lot you can do with the filters out there for Snapchat and Instagram. However, just because you can, doesn’t mean you should. The growth of virtually automatic editing tools and the overuse of their options has turned the photography industry on its head, and not in a good way. Sure, you might be saying to yourself that it’s just silly fun with pics you shot on some mobile device. But to the serious shooter, who edits with dedication while trying to stay true to the shot, this is just a bunch of garbage.
No, we don’t need to see what you’d look like with bunny ears. No, we don’t want to see you have yourself a foot taller or 10 sizes thinner. And no, we don’t want to see what you’d look like in a photo with your favorite celeb.
As Promised, here is the info on my new e-book and where you can find it.
The advancing technology we have available to us can be an incredible and amazing thing. However, it can also be costly and difficult to utilize in some cases. This e-book is designed as a collection of 65 online and downloaded resources to help assist creative people in doing the things they love with ease and at either no cost or affordable prices.
For those artists, photographers, writers and videographer types, this book is for you. For the people who work with audio and animation, this is for you.
Order on Amazon of my author website.
To put it frankly – harsh shadows in photos suck. But, sometimes when the sun is strong or the lighting inside is hard to work around, there are a few things you can do to combat the horrid shadow.
My e-book Pesky Shadows, Pretty Shadows can be of some help but here’s one little tip that can make a huge difference and doesn’t take any technical skill or special tools.
Potion the subject as far away from any walls as you can. The more distance between the person or object and a wall, the less strong the shadow that shows up on it will be. Give it a try like the shots below. It’s easy and work too.
Sure, it is nice to look at pretty photos of beautiful models smiling and showing off a clean-cut or All-American feel. But, once in a while, for the sake of creativity as well as breaking the cookie cutter mold, photographers and models might be inclined to take things in a different direction.
If you are interested in making your shots a little more edgy, here are a few suggestions that might help.
Use darker and more intense clothing
Hair and makeup should bring out the harsher elements
Background and lighting can make a big difference
Using angles that emphasize the tougher elements of a model