Your home for everything artistic

Blackout Poetry By Induco

If you’ve never heard the terms “Blackout Poetry,” this post has something cool in store for you.

No, Blackout Poetry doesn’t have anything to do with drunkenness as the sillier readers might have assumed. It’s all about a process that sounds simple but is actually quite complex.

As the artist that goes by Inducto calls it, the idea is to black out pages of text leaving only specific terms and phrases that create a new story.

Check out some of her work on Patreon and in the pictures here:

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I have done quite a few music reviews over the years but I can honestly say I’m not sure if I’ve ever given an album a 5-star rating, until now. The fact is, even the artists nobody would ever expect to come out with a Christmas album are lining the retails shelves with holiday sounds. And in some ways, the impact has been lousy. You are probably going to end up with either a bunch of originals that are of poor quality or boring versions of the classics.

On this recording, what Lindsey does so well, with the help of a few friends (Sabrina Carpenter, Becky G, Trombone Shorty and Alec Gaskarth of All Time Low) is blend her own style that has made her a star with classic tunes while adding in just enough in terms of original songs to make for a very pleasant listening session.

The best among the originals is “Christmas C’mon” and the most interesting rendition of a cover is “Let It Snow.”

Overall, I’d be hard-pressed to find someone I didn’t think would love it.

As you probably realize by now, I enjoy being artistic with my photos. This being the case, one of the tools I find interesting is what are commonly referred to as gobos. I mentioned these in another post as any material that is placed in between the light and the subject to make a pattern out of shadows.

The biggest problem with today’s gobos are that they are big, heavy and tend to allow for just a single pattern making them inconvenient and costly. I recently invented what I call my “Universal Gobo” that solves ever one of these problems.

You can buy our Do It Yourself guide for just $3.00 and the materials should cost you less than $20. This is a lot nicer than paying around $20 each for those available in stores and over the web.

For the last decade, Taylor Swift has been a star in the music industry. However, based on the first couple of singles that have gotten some play from her new album “Reputation,” I can honestly say I set my expectations fairly low for this one.

While Swift’s first several albums were country with a bit of a cross-over into pop, her last release of “1989” was about 90% pop and 10% country at best. It worked out well. This is due to the notion that her sound remained very much hers and the pop style utilized was fairly authentic.

The album “Reputation” is really the story of two distinct halves. For the most part, the first half is a collection of rather cliché and overproduced pop with a bit of rap and hip-hop added in for some reason. It’s a major departure from her prior recordings and it comes across as forced and inauthentic. The second half is still pop but seems much more suited to her and relatable to her longtime supporters.

My concern here is that Swift seems to be reinventing herself. Sure, tons of artists do this over the years of their career. Some have done it several times like the “Material Girl.” Usually though, this is because their style has lost appeal. The problem here is a simple one. Swift is doing it even though she didn’t have to and that what she was doing suited her and excited a fan base.

The best tracks on this release are probably “Getaway Car,” “This Is Why We Can’t Have Nice Things,” and Call It What You Want.” The ones we could really do without include “End Game” and “Gorgeous” with all other being a mixed bag at best.

As mentioned, I came in with low expectations. When this is the case, it’s not hard to exceed such a notion. So, while I’d say she did do just that, it’s not a lot to rave about. I’d give her an average rating or something like 3/5. While that’s not bad, it’s on the lower part of the Swift discography.

Name:

Renee Boyett

Location:

Central Oregon

Where can people see and order your work online?:

There are several places but the profile at Deviant Art ChaosFay has the most extensive content. You can also visit Fineartamerica.com under my name or Esty at Nay-Nay Macrame.

Tell me about your work:

I’ve been creating macrame jewelry for 25 years now, starting when I was nine years old. I saw a girl in my class making a really neat bracelet and asked her to show me how she made it. I then started making friendship bracelets, but when I was around 13 or 14 my grandmother gave me a macrame book. In college, I expanded I started changing things from what I found in books and learned to create my own patterns and designs. It’s been a great way to relieve stress while creating something beautiful. For the past ten years, I’ve been participating in craft and art shows as well as conventions, selling my work and accepting commissions for custom-made pieces.

Piece titled: Wild Jade Growth

While I was in college I was able to refine my painting skills. I now create watercolor paintings, and my goal with those is to create something you could imagine in a dream or nightmare. Not realistic but at the same time recognizable. These I create on a whim, often taking up to a week from start to finish. My favorite things to paint are outer space and flowers. At some point, I’d love to have my paintings printed on quilt fabric I can use to create quilts featuring my own work.

Last, but not least, I’m a fourth generation quilter. I grew up around fabric, prints, colors, sewing, and quilting, and applied a lot of what learned growing up to my jewelry and paintings. In 2014 I had to take a three-year hiatus from jewelry making due to a ligament tear in my right wrist. I was able to make quilts and, with some lessons from my mother, I learned how to sew and quilt. In less than a year I went from making hot pads and table runners to a full-size quilt and several lap quilts.

In 2016 I had surgery on my wrist to repair the ligament tear that had been causing me so much pain. After many months of physical therapy, I was able to make jewelry again. I now have several jewelry commissions to work on and am accepting more. When not working on commissions I make things for myself or create quilted works.

Piece titled: Daning in the Moonlight

What does art mean to you?:

I rotate between all three of these to prevent burn-out and work through artist’s block. Creating and crafting is something I value more than nearly anything else. I can share a part of who I am and show people a piece of myself. It’s also been excellent therapy for me, both physically and mentally. I’m disabled due to physical and mental illnesses, and for the most part, have nothing but time on my hands. I’m up early in the morning, finish all the housework by 8am, and then have the entire day to find something to occupy myself. Boredom nearly ate me up during recovery from my surgery and for a couple months thereafter. It wasn’t until just a couple months ago that I could finally create macrame jewelry again without requiring an ice pack immediately thereafter. Now I’m rarely bored, and the rotation between all three of these – jewelry, quilting, and painting – has prevented me from injuring or irritating my wrist.
Piece titled: Autumn Bonfire
For me, this is a lifesaver. It’s helped me physically work through many of the things that have ailed me over the course of my life. If I’m feeling angry or frustrated I paint, when I need peace I quilt, when I’m joyful I make jewelry. It’s a good balance between mind, body, and spirit. Painting is my body, quilting is my mind, and jewelry is my spirit.

For the first time, now offered exclusively by the arts services company Three Rivers Creative Arts, people can get professional photos taken from any location at any time! All you need is a reliable connection to the web and either a webcam or device with video camera like a cell phone.

The process includes a number of steps and a propriety cocktail of software and tools but it can be done quickly and easily at a rather reasonable rate.

Whether you need headshots for a model portfolio or just want some good ones to send to relatives, it can be arranged.

For more details, see the remote photography page.

Poor Man’s Copyright

If you have checked into getting any of your art or writing as being your copyright under the Library of Congress, you have probably notice that it can be expensive to do so. While technically, the moment you put pen to paper or make your work accessible in any tangible form, it is your property, it is not always so easy to prove it in court. So, what are your alternatives? Poor man’s copyright.

This technique, although not as official as the Library of Congress registration method, can help if you find yourself in a legal bind.

For written or physical materials:

Print a copy of your content and place it in an envelope or some other form of package and send it to yourself my postal mail. When it comes back to you, don’t open it unless needed in a legal battle as that the postmark on the package or envelop will indicate a date that will work as proof of copyright.

For digital materials:

While I’m not totally sure if this one applies, I assume it would make sense based on the aforementioned method.

Keep a record of your files and be able to show the creation date in your properties. Sure, the date modified will change but this will remain the same so long as you retain the original.

 

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